However, the earliest known example of using this progression (at least in a major hit) is Scott McKenzie's " San Francisco (Be Sure to Wear Flowers in Your Hair)", written by John Phillips.ĭan Bennett claims the progression is also called the "pop-punk progression" because of its frequent use in pop punk. He named the progression because he claimed it was used by many performers of the Lilith Fair in the late 1990s. Hirsh first noticed the chord progression in the song " One of Us" by Joan Osborne, and then other songs. In C major this would be Am–F–C–G, which basically modulates key to A minor. "Pop-punk progression" variation in C major, based on Bennett Ī common ordering of the progression, "vi–IV–I–V", was dubbed the "sensitive female chord progression" by Boston Globe Columnist Marc Hirsh.
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